What Happens to a Manuscript After the Author Hands it In?
A reader asked me to explain what happens to my manuscript after I hand it in.
There are three main editing stages, followed by a final page proofs stage.
Major Revisions
After submission my editor reads my manuscript. If she finds issues with the plot, romance, pacing, chapter hooks or endings etc, she’ll send it back with a revision letter requesting adjustments. Editors typically give authors 30-60 days to make these revisions.
I received a half page revision letter for my first novel, but after that, we addressed plot issues at the proposal stage so subsequent manuscripts have gone directly to the second revision stage.
Update (2026): All of my publishers now combine any major plot revision requests with line edits.
Line Edits
At this stage, an editor (sometimes a different one than the first), marks up the manuscript using track changes. She might make suggestions, ask questions, or point out areas that need to be elaborated, eliminated, tightened etc.
Depending how tight the publisher’s deadline is, an author may have a very short time to turn these edits around. My editor asked me to complete a couple of my LIS manuscripts in three days. So authors need to communicate with their editors how much time they need. Most contracts specify thirty days. But editors can get behind. Thankfully, all the editors I’ve worked with have been great about accommodating vacations etc.Â
BTW, this is the stage that earns the author the release of the second half of her advance.
Copy Edits
Once an author returns their revised line-edited manuscript, it goes to a copy editor. This is always a different editor, who is especially knowledgeable about grammar and style rules. And hopefully when it’s better to break them. I never saw my copy-edited manuscripts from LI, unless the copy editor caught a “content” discrepancy I needed to fix. Many LI authors, however, do see their copy edits, so it varies by editor.Â
In contrast to my experience with Love Inspired, I worked closely with the copy editor for Deadly Devotion. She caught things like the heroine’s apartment levitating from the second to third floor from one chapter to the next. Comma issues etc. she simply changed. However, if a phrase felt awkward or a pronoun was unclear, for example, she’d ask me to change it. Or she’d suggest a change and ask if I was okay with it.
She then gave me 2 or 3 weeks to go through the manuscript. She called this stage “galleys.” If I wanted to make any significant content changes, like a character’s name or job, or an entire scene, this was my last chance.
Final Stage – called Page Proofs or AAs for Author Alterations
 At this point, the author used to receive a hard copy of her novel as each page will be printed. Perhaps American authors with American publishers still do. But my novels were always sent electronically, usually as a pdf to preserve typesetting and graphics. Any errors I found I marked up directly in the pdf and emailed it back to my copy editor.
Update: For the multi-author series I write, I don’t see anything after line edits. Authors don’t get to proof the final version. So…I’m sometimes surprised to discover significant scene changes when I receive the printed version. And…since I rarely read my published books, beyond looking up passages for bonus features, I suspect there are changes I don’t know about!
Your Turn: Any questions?
Image courtesy of Ambro at FreeDigitalPhotos.net


Thanks for taking the time to post this, Sandra—a great overall view of the editing process! 🙂 And I’m sure I’ll be re-reading this post too. ~ Soooo excited about your upcoming books!
Thanks Sandra, this really helps ‘demystify’ the secrets of the editing process 🙂
You’re welcome. I’ve received a couple of private emails from published authors whose experiences have been slightly different (less stages/one editor throughout), but yes, this is a basic glimpse.
Hi Sandra, Thanks for sharing the stages in the editing process. It’s good to know how the process works for international authors 🙂
You’re welcome, Narelle. Since you’re in Australia, they’d probably invite you to send your AAs back as a pdf. Since they’ve changed to digital for everyone within the past few months, they might not have anyone mail AAs anymore…I’ll know in a few weeks as I’m expecting some soon. 🙂
My proof didn’t have page or line numbers either. Wah. But it wasn’t too bad. 🙂
I’ve started adding line numbers to my drafts to tabulate my own editing notes before submission. It keeps me a lot more organized than having post-it notes everywhere!
I cannot thank you enough for talking about this process. As a pre-published writer its better to know what to expect once our final draft of OUR submitted version is completed and sent in.
I realize its not ‘perfect’ until the publisher says it is, but until now the process was almost as hidden as the Wizard of Oz behind the curtain. Thank you for a look behind the curtain and what to expect if and when we are signed based upon a submission.
Being able to plan and know is a gift Sandra. God bless you for sharing it.
I’m so glad you’ve found this helpful. Since I happen to know you’re interested in LIH in particular, have you checked out their forums? Editor Emily Rodmell has one and she is always happy to answer questions from writers interested in writing for them. You’ll also find a digest of answers to questions others have asked. Here’s the link: http://community.harlequin.com/showthread.php/71-Emily-Rodmell-Love-Inspired-Love-Inspired-Historical-Love-Inspired-Suspense?highlight=Love+Inspired+Emily+Rodmell I believe you’ll have to “join the community” to view.
I think it’s so interesting how the process varies from house to house. Thanks for sharing about it, Sandra!
You’re very welcome. It also varies by editors within the house and on where the author lives (re. paper vs electronic).